Technical Info

Contacts:

Venue Manager: Chad Smith

Peabody and Oceanfront Bandshell
Phone: 386-671-3460
Fax: 386-239-6435
smithchad@codb.us

Stage & Technical Manager 
          Sunco Productions Representative
          Don Steadman
          Phone: (386) 547-7113

 

Tech Specs PDFs:

• Full Peabody Facility Diagram
• Atlantic Room Backstage
• Downstairs Dressing Rooms
• Upstairs Dressing Rooms
• Peabody Auditorium Lighting Plot
• Stage Area Dimensions 

Lighting System:

LIGHTING INVENTORY, DMX & CIRCUIT LOCATION:

FOH COVE

10 ETC source four led series 2 lustr (EDISON)

10 ETC source four 19° ellipsoidals  with 750 watt lamp (STAGE PIN)

8 ETC source four 15° to 30° zoom with 750 watt lamp (STAGE PIN)

STAGE

54 PAR 64 wide len 1000 watt lamp (STAGE PIN)

21 ETC source four 26° ellipsoidals with 750 watt lamp (STAGE PIN)

12 ETC source Four 36° ellipsoidals with 750 watt  lamp (STAGE PIN)

6  3 CELL Cyc lights with 1000 watt lamp (STAGE PIN)

4 MARTIN mac quantum profile (EDISON) available  for additional cost

Note: Stage pin connector 3 pin 20amp (hot, neutral and ground)

ACCESSORIES

12 SIZE B PATTERN HOLDERS

1 SOURCE FOUR IRIS KIT

BOOTH

2 Xenon Strong  Super trouper follow spots with 1600 watt lamp

DATA

DMX 512  5 pin

SL Universe 1 Universe 2 Universe 3 to BOOTH

SR Universe 1 Universe 2 to BOOTH

2 Dmx lines from FOH COVE to SR

1 Portable foh snake from stage to under balcony  mix position with

1 5pin dmx line & 2 3pin com lines

Note: All house fixtures are on Universe 1 

NETWORK PORTS

SL 1 RJ45 network port to booth

SR 2 RJ45 network ports to booth

Etc response 4 port  gateway  portable

1 dmx in &  3 dmx out

CONSOLE

Etc ion xe  2048 addresses

Etc fader wing 20 sliders submasters or cue stacks

1 Lenovo ThinkPad with  2 ETC gadgets and product key to enable use as a primary or  backup console

2 EOS touchscreen  monitors

2 House light controllers 1 Down Stage Left and 1 in Booth

CIRCUIT LOCATION

28 stage pin dimmers in foh cove

6 edison non dim circuits  in foh cove

8 stage pin dimmers house left box boom

8 stage pin dimmers house right box boom

40 stage pin dimmers  first electric

30 stage pin dimmers second electric

30 stage pin dimmers third electric

9 stage pin dimmers fourth electric

DIMMER RACKS

SR COLORTRAN i96 dimmer rack

SR COLORTRAN i24 dimmer rack(14 dimmers for orchestra  shell)

POWER

2 COMPANY DROPS 400 AMPS 3 PHASE each 120 / 208 VOLT AC

with cam lock connectors

SR Power distro with 15 20amp circuit

2 BUS power connections 50 AMPS each 125 / 250 VOLT AC

with NEMA 14-50 plug located by loading dock

3   20 Amp 120 VOLT AC circuits at under balcony mix position

Sound Reinforcement System

• GB4 32 Channel Mixing Console
• 28 stage mic sends to balcony mix position (7 each corner of stage)
• 28 channel 3-way mic splitter to DSL box and to balcony monitor mix position, directs are to house mix console
• Subs: 2 - EV XS212 (center overhead cluster)
• Mids - Highs: 6 EV XLD281 3 Way Line Array Element
• Front Fills: 4 EV XI1082 Speaker Cabinet
• Floor Subs: 2 EV XSUBS
• All powered by: 5 P3000RL PA Power Amps
• Two rows Bose ceiling speakers under balcony on 65 and 75 msec. Delays
• Eight monitor wedges: (4) JBL 905, (4) EV-Eliminator
• One Tascam 122 MK3 cassette deck
• House Outboard Gear: Lexicon MX400XLV Signal Proc/Effects
• Compressors: (2) DBX 166XL Compressor/Limiter/Gate
• Three DBX 231 Dual Graphic Equalizers
• Microphone Complement:
  • six Shure SM58
  • three AKG 535
  • three AKG 310
  • one D112
  • six SM 57
  • four PCC 160 floor mics
  • six Rapco DI’s
  • two Shure LX wireless mics
• Telex AATI assistive listening system fed by house mix
• Tie Lines: six DSL sends to amp rack, eight returns from house mix to DSL & DSR

Production Communication:

Telex intercom system at SMP to:

• 2)Flyrail,
• 1)DSR,
• 1)Lighting console,
• 2)Spotlights,
• 1)Sound mix,
• 1)Front Office,
• 1)Box Office,
• 1)DSL aux and
• 1)Backstage Production Office; bal/unbal adapter to
  ClearCom;
• 8)beltpaks,
• 6)headsets,
• 1)biscuit and
• 2)handsets

TOA mixer amp #1 at SMP to Lobby w/chime, House monitor mic, and SMP announce

TOA mixer amp #2 at SMP to dressing rooms, Lighting booth with spots, Backstage production office and Atlantic room backstage

SMP Audio Mixer: Alesis 12R 8 + 2 Stereo Ins; mic lines from stage boxes (3 per corner of stage) w/feeds to main amp rack

Projection Equipment:

Bell & Howell 16mm, Eiki 500w Xenon 16mm, in spot booth; stage screen 20’ x 30’

Stage Drapes:

Black Velor; four sets legs 28’’ four borders 10x60, two fill stage travelers 28’, one 30x60 Rosco “Cyc Screen” (white), maroon main curtain (lineset #2), Fire curtain (lineset #1) (maroon valance hung from same)

Stage Counterweight System:

• Single purchase 8: O.C. Tee track, 8’ arbors
• Operates from stage left at deck level, 2 bridges
• 35 total linesets

Grid Height: 51’ high trim out 44’0”

Orchestra Riser: Wenger 4’ x 8’ folding type:
     Five 8” high
     Seven 16” high
     Nine 24” high
     100 stacking padded chairs
     100 Wenger music stands
     100 stand lights
     3 30” padded stools
     1 4’ x 4’ conductor podium

Orchestra Shell: Wenger full stage enclosure; 10 walls and 4 ceiling pieces, built-in overhead fixtures distribute 18k quartz lighting, 3 entrance door sets per side

Orchestra Pit Cover: Manual 9’ x 47’

Pianos: Steinway Concert Grand

Stage Power:
     One 400 amp three-phase for lighting
     One 400 amp three-phase for sound

Stage Dimension:

     Proscenium: 
          Height 22'0"
          Width 47'0"
     Stagehouse: Width 82'0"
          Depth 35'0" 
          Apron 3'3"

Loading Dock: Upstage right rear wall through 9'x 14' rollup door
at stage floor level; covered 12'x 15' dock @ 14"
above rear parking lot level

Dressing Rooms:

Two star and Green Room offstage left at stage level, Three chorus and two smaller off stage left and 1 flight up

Washer and Dryer and 3-bin sink for hand washables are available for production use.

Adequate parking for production vehicles is available.

Additional Rooms

     (Atlantic floorplan 1) 
    (Altantic floorplan 2)
      

Peabody Auditorium Lineset Schedule

• Click Here for House Lighting Plot

Lineset # Use Distance

Upstage edge of proscenium opening 00'0"

00 Fire curtain/main valance 00'6"
01 Main Curtain 01'4"
02 #1 Electric (permanently wired) 02'4"
03 Open lineset 03'4"
04 #1 Orchestra shell ceiling (permanent) 04'6"
05 Open lineset 06'6"
06 Legs or open lineset 07'10"
07 Border or Open linset 09'8"
08 Mid-stage black traveller (permanent) 10'3"
09 Open lineset or projection screen 10'8"
10 Open lineset 11'6"
11 #2 Orchestra shell ceiling (permanent) 12'4"
12 Border or open lineset 13'3"
13 Legs or open lineset 14'0"
14 #2 Electric 15'2"
15 Open lineset 15'10"
16 Open lineset 17'2"
17 Open lineset 17'6"
18 Open lineset 17'11"
19 Open lineset 18'7"
20 Open lineset 19'2"
21 #3 Orchestra shell ceiling (permanent) 20'0"
22 Border or open lineset 21'2"
23 Legs or Open Lineset 22'4"
24 #3 Electric 23'3"
25 Cyc Lights 23'9"
26 Open lineset 24'2"
27 Open lineset 25'2"
28 Legs or open lineset 26'2"
29 #4 Orchestra shell ceiling (permanent) 27'4"
30 Open lineset 29'0"
31 Border or open lineset 29'8"
32 Open lineset 30'4"
33 Open lineset 31'2"
34 Upstage Black traveller 32'4"
35 Cyc or open lineset 32'10"

• All pipes fly out to 44' above stage deck
• Proscenium arch opening: 47'0" & 22'0" high
• Stage apron edge to rear wall: 38'
• Centerline to SL locking rail: 38'
• Centerline to SR wall: 40'