Technical Info
Contacts:
Venues Manager: Chad Smith
Peabody and Oceanfront Bandshell
Phone: 386-671-3460
Fax: 386-239-6435
smithchad@codb.us
Stage & Technical Manager
Sunco Productions Representative
Don Steadman
Phone: (386) 547-7113
Tech Specs PDFs:
- Full Peabody Facility Diagram
- Atlantic Room Backstage
- Downstairs Dressing Rooms
- Upstairs Dressing Rooms
- Peabody Auditorium Stage Lighting Plot
- Stage Area Dimensions
Lighting System:
DMX 512
- All Connectors 3 pin stage type (20A 2p&g)
- All FOH, Box Boom & 1st Electric positions are connected through road patch; 2nd, 3rd, are on 2 p&g bus drops
- 107 4kw dimmer rack: NSI Colortran I96 and Colortran I24 for Orchestra Shell
- Strand GSX memory console (100 channel 200Q/24 submasters x 5 pages)
- Also available: NSI MC7524 (32 submasters)
- Hardwired circuits: 28 @ FOH; 8 @ each Box Boom; 40 @ 1st electric
- 3 Run of DMX from stage to lighting booth. DMX 512 Opto Isolatorc
House Instruments:
- 48 Par 64 1kw
- 24 6x9 ellipsoidal spotlight (lekos) 1kw
- 28 6x12 lekos 1kw (stage) plus 12 (6 each side)
at Box Booms - 28 6x16 lekos 1kw at FOH ceiling cove
- 6 Altman "Far Cyc" 3 color 1kw cyc lights
- 2 Xenon Strong Super Troupers (in projection booth rear of
balcony) - TWO company drops: each 400A 120/208vac 3-phase fused disconnect (off stage right)
Sound Reinforcement System
- GB4 32 Channel Mixing Console
- 28 stage mic sends to balcony mix position (7 each corner of stage)
- 28 channel 3-way mic splitter to DSL box and to balcony monitor mix position, directs are to house mix console
- Subs: 2 - EV XS212 (center overhead cluster)
- Mids - Highs: 6 EV XLD281 3 Way Line Array Element
- Front Fills: 4 EV XI1082 Speaker Cabinet
- Floor Subs: 2 EV XSUBS
- All powered by: 5 P3000RL PA Power Amps
- Two rows Bose ceiling speakers under balcony on 65 and 75 msec. Delays
- Eight monitor wedges: (4) JBL 905, (4) EV-Eliminator
- One Tascam 122 MK3 cassette deck
- House Outboard Gear: Lexicon MX400XLV Signal Proc/Effects
- Compressors: (2) DBX 166XL Compressor/Limiter/Gate
- Three DBX 231 Dual Graphic Equalizers
- Microphone Complement:
- six Shure SM58
- three AKG 535
- three AKG 310
- one D112
- six SM 57
- four PCC 160 floor mics
- six Rapco DI’s
- two Shure LX wireless mics
- Telex AATI assistive listening system fed by house mix
- Tie Lines: six DSL sends to amp rack, eight returns from house mix to DSL & DSR
Production Communication:
Telex intercom system at SMP to:
- 2)Flyrail,
- 1)DSR,
- 1)Lighting console,
- 2)Spotlights,
- 1)Sound mix,
- 1)Front Office,
- 1)Box Office,
- 1)DSL aux and
- 1)Backstage Production Office; bal/unbal adapter to
ClearCom; - 8)beltpaks,
- 6)headsets,
- 1)biscuit and
- 2)handsets
TOA mixer amp #1 at SMP to Lobby w/chime, House monitor mic, and SMP announce
TOA mixer amp #2 at SMP to dressing rooms, Lighting booth with spots, Backstage production office and Atlantic room backstage
SMP Audio Mixer: Alesis 12R 8 + 2 Stereo Ins; mic lines from stage boxes (3 per corner of stage) w/feeds to main amp rack
Projection Equipment:
Bell & Howell 16mm, Eiki 500w Xenon 16mm, in spot booth; stage screen 20’ x 30’
Stage Drapes:
Black Velor; four sets legs 28’’ four borders 10x60, two fill stage travelers 28’, one 30x60 Rosco “Cyc Screen” (white), maroon main curtain (lineset #2), Fire curtain (lineset #1) (maroon valance hung from same)
Stage Counterweight System:
- Single purchase 8: O.C. Tee track, 8’ arbors
- Operates from stage left at deck level, 2 bridges
- 35 total linesets
Grid Height: 51’ high trim out 44’0”
Orchestra Riser: Wenger 4’ x 8’ folding type:
Five 8” high
Seven 16” high
Nine 24” high
100 stacking padded chairs
100 Wenger music stands
100 stand lights
3 30” padded stools
1 4’ x 4’ conductor podium
Orchestra Shell: Wenger full stage enclosure; 10 walls and 4 ceiling pieces, built-in overhead fixtures distribute 18k quartz lighting, 3 entrance door sets per side
Orchestra Pit Cover: Manual 9’ x 47’
Pianos: Steinway Concert Grand
Stage Power:
One 400 amp three-phase for lighting
One 400 amp three-phase for sound
Stage Dimension:
Proscenium:
Height 22'0"
Width 47'0"
Stagehouse: Width 82'0"
Depth 35'0"
Apron 3'3"
Loading Dock: Upstage right rear wall through 9'x 14' rollup door
at stage floor level; covered 12'x 15' dock @ 14"
above rear parking lot level
Dressing Rooms:
Two star and Green Room offstage left at stage level, Three chorus and two smaller off stage left and 1 flight up
Washer and Dryer and 3-bin sink for hand washables are available for production use.
Adequate parking for production vehicles is available.
Additional Rooms
(Atlantic floorplan 1)
(Altantic floorplan 2)
Peabody Auditorium Lineset Schedule
Click here for House Lighting Plot
Lineset # Use Distance
Upstage edge of proscenium opening 00'0"
00 Fire curtain/main valance 00'6"
01 Main Curtain 01'4"
02 #1 Electric (permanently wired) 02'4"
03 Open lineset 03'4"
04 #1 Orchestra shell ceiling (permanent) 04'6"
05 Open lineset 06'6"
06 Legs or open lineset 07'10"
07 Border or Open linset 09'8"
08 Mid-stage black traveller (permanent) 10'3"
09 Open lineset or projection screen 10'8"
10 Open lineset 11'6"
11 #2 Orchestra shell ceiling (permanent) 12'4"
12 Border or open lineset 13'3"
13 Legs or open lineset 14'0"
14 #2 Electric 15'2"
15 Open lineset 15'10"
16 Open lineset 17'2"
17 Open lineset 17'6"
18 Open lineset 17'11"
19 Open lineset 18'7"
20 Open lineset 19'2"
21 #3 Orchestra shell ceiling (permanent) 20'0"
22 Border or open lineset 21'2"
23 Legs or Open Lineset 22'4"
24 #3 Electric 23'3"
25 Cyc Lights 23'9"
26 Open lineset 24'2"
27 Open lineset 25'2"
28 Legs or open lineset 26'2"
29 #4 Orchestra shell ceiling (permanent) 27'4"
30 Open lineset 29'0"
31 Border or open lineset 29'8"
32 Open lineset 30'4"
33 Open lineset 31'2"
34 Upstage Black traveller 32'4"
35 Cyc or open lineset 32'10"
- All pipes fly out to 44' above stage deck
- Proscenium arch opening: 47'0" & 22'0" high
- Stage apron edge to rear wall: 38'
- Centerline to SL locking rail: 38'
- Centerline to SR wall: 40'
